Vrolok resurgence ii rar

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Newer Post Older Post Home. Subscribe to: Post Comments Atom. About Me Vinlander Stillwater, Minnesota, United States Please, take note: the music posted here is intended for sampling and private use. If you like the music, I strongly urge you to support the artists, and buy their music.

Anyway, 'The Incarnate Form Of Black Ecstacy And Rapture, Visual Purgatory' marches through a more ambient spin on Vrolok's traditional black metal for about eleven minutes before collapsing and becoming a drone track for the remaining thirty.

It seems to be generated through distorted synth; there's some slight melody throughout it, though it's not very obvious or interesting. I'm sure it's significant when it comes to the overall message and concept of the album, but be that as it may, it is kind of pretentious and gets old quickly, even if it isn't offensive to the ears in and of itself.

When discussion of this album heats up, a lot of people will say that the final track is their favorite because of the drone, but they're probably lying and prefer the other four just like the rest of us. Consider it a very protracted bonus track, with the first part of the song forming the conclusion of the album. So even minus the drone, you get about fifty minutes of some of the best USBM out there today. I can honestly say that I was very impressed by 'Resurgence III: Order Of The Sphere', and can readily claim that it's a very unique and enduring work in its own right.

It's much more creative and ambitious than most other USBM, and like all Vrolok material, it never quite falls into filler or generic territory. It's a great USBM album, but more importantly, it's a great black metal album as a whole, minus any geographical differentiation. This is most certainly a CD to give a try if you're seeking something new and of genuine quality in today's oversaturated scene.

Satan agrees that Vrolok is a good band worth supporting. Metal Archives loading Username Password Login. Bands alphabetical country genre Labels alphabetical country Reviews R.

Even though these portions with keyboards make up a good chunk of the album, they seem to sort of drift by without a great deal of notice, at least when compared to the ultra-rhythmic black metal that the album shares. The ambient portions, though rather suited more as background sound than a very focused listening experience, appear to actually have some context. Other bands throw in ambient breaks in a desperate bid to seem unique despite the fact that every band uses ambient breaks now , but Vrolok actually puts some importance on them, instead of writing a 5-note keyboard melody, looping it for two minutes over some spooky sound effects, and ending it abruptly.

It's probably unsurprising, considering that Diabolus is the mastermind behind dark ambient superstar Vomit Orchestra as well, but it's nice to see effective dark ambient being used in the black metal context. While the general combination of elements on 'Resurgence I: Descent Through The Abyss' don't seem like anything special, the end result is much more than the sum of its parts. By simply inverting the traditionally emphasized elements of black metal, Vrolok has crafted an album that is able to adhere in some way to the tenants of the genre, but also go in a new direction, even if it is roughly alongside the well-worn path of other artists.

This album is a good example of USBM being more than a one-trick pony; indeed, the variation and creativity of construction on this album is much, much greater than many other artists, and is worth your time to examine. Here one finds some twisted black metal, with a very clean sound, even though it is a cassette release.

The album explodes into consistent blast beats with simplistic riffing and excellent vocals.